
The Croatian Museum of Tourism, Opatija / September 2013
In September 2013, the Croatian Museum of Tourism in Opatija will showcase 16 concepts developed by young Croatian designers, carefully selected for the exhibition Hungry Designers, focused on reinterpreting traditional ways of preparing meals and creating new ways of consuming and enjoying food.
D Day Preview, Zagreb / June 2013
The work in progress show is taking place during D-Day in Zagreb with an emphasis on experimentation and a group discussion in situ with designer colleagues and visitors.
A pilot project Croatian Holiday preceded a more detailed vision of Design Tourism platform, within which thematically more precise projects will be developed in the future.
Narrowing down the annual topics should be interpreted as a need to target specific touristic content that is currently either under-developed, imported from abroad or is well developed (as in the case of trendy gastronomic scene development), but not followed by appropriate design code.
The first in a series of curatorial concepts, Hungry Designers, is following partly the methodology of the last year project, in terms of duration and project development process, but is, at the same time fundamentally different. It is intended exclusively towards gastronomic sector of tourism, and materialized through projects focused on the design of food and its by-products.
Western European scene is already for years busy practicing a somewhat elitist discipline called food design, which is in Croatia at any rate insufficiently promoted and so new that it is often often misinterpreted. One of its imperatives is an interdisciplinary approach that envolves culinary art, nutritionism, visual arts, graphic and product design, with the aim of creating a better and more intense experience of eating culture. Croatia is rich in naturally grown foods, and as such follows the global trends that praise healthy diet. On the other hand, the Croatian culinary heritage is an eclectic blend of influences from nearby countries, which makes it altogether a high-quality base for creative and experimental dealing with food.
Food design differentiates several different aspects; food as a design material that can be transformed in it shape or content through rethinking taste, consistency, temperature, color, texture or innovative combinations of ingredients; the design of everyday objects used for preparing, serving, packaging and communicating foods to the end consumers, regardless of the context; design scenarios that create interaction of people and foods and accompanying food enjoying rituals in connection to location, season, time of day, type of consumption, etc.
Hungry Designers as a food design collection inspired by tourism consists of projects that are largely part of the mentioned categorization, but are each in its own way contributing to a different semantics by introducing different aspects of material and immaterial culture in new and unexpected ways.
You are what you eat
by Mirna Raduka and Karmen Kolombo
You are what you eat is a culinary personality test that reveals affiliation to a specific Croatian region based on questions about food and drinks. Quiz is a fun way to profile the region's population (citizens of Istria, Dalmatia, Lika, Zagorje and Slavonia) and link them with tourists based on their eating habits. Interactive application is at the same time a personal guide for tourists with specific regional recommendations in relation to personal preferences.
Contributors: Maxim Safioulline, programmer; Ivan Vrban, enogastrobrutal, wine consultant; Thank you Ana Ugarković
you-are-what-you-eat.info / hello@you-are-what-you-eat.info
Rakija to go
by Oaza
Collective fascination with the national drink is a product of mystical effect of this liquid that practically cures and fixes everything. Glass modification of brandy (rakija) obtaining apparatus, literally "exposes" chemical processes of fermentation and distillation, otherwise hidden within the context of the house and backyard, and thus inaccessible to tourists. The project also problematizes home alcohol production restriction regulated by EU laws, and forced upon this very important segment of the country’s tradition.
INFO@O-A-Z-A.COM
Ship oil refinery
by Nikola Radeljković and Igor Zenzerović:
Olives are being harvested on a number of uninhabited islands in the Adriatic, and only around twenty of inhabited once have oil refineries. Development of a floating oil refinery that is traveling around islands and processing olives immediately after harvest, would improve the quality of the oil, make the process easier for olive growers and encourage the development of new rituals and potentially inclusive tourist attractions. Adaptation and activation of passenger ships that are being useless off season would result in multipurpose vessels, and multiple production facilities would surpass the current touristic season, activate neglected olive-grove, and by establishing the same interest, eventually remove barriers between visitors and their hosts.
nikola@numen.eu
Sheep that don’t take phone calls
by Noel Šuran and Davorka Tumpić
Based directly on the traditional naming and recognition of sheep in Istria, the authors suggest cheese with a personal signature of sheep of which milk it was produced. Milk is collected to a sufficient amount, curdled, and then placed in a mold with an imprint of the individual owner.
noel.suran@gmail.com / davorka.tumpic@gmail.com
Rožonj
by Luka Borčić and Ivan Dorotić
Rožonj is a wooden utensil for the preparation of small fish, mainly sardines. It originates from the island of Vis and is the result of research into already existing traditional local ways of preparing fish. The future intention is to promote Rožonj as an authentic island souvenir.
Collaborators: Marina Andrijašević, Maja Bosnić and Stašenko Dorotić
ivan.dorotic@gmail.com / lukadborcic@gmail.com
Rogoz
by Oaza
Logožar (bag) is part of the material culture associated with the dying tradition of wickerwork. It is made on a loom from the bulrush plant treads, and is used mostly for the purchase of food from the market.
Elaboration and reinterpretation of logožar include updating of existing forms and techniques of knitting with the addition of new materials and functions (introducing backpack form), with the aim to target younger population.
INFO@O-A-Z-A.COM
Preserving summer
by Oaza and Ana Rimac
Preserving summer is the study of old-fashioned food preservation methods (conservation of value and quality). Existing utilitarian objects, containers or tools are mostly improvised versions, and their usage only suggests lack of a better solution. The intention of designing products for canning that combine several functions (food processing, storage and serving her) tends to popularize these traditional methods. The usage logic is being read from the design and selection and finishing of materials. The finished product promotes locally specific food combinations and their preparation together with a recipe for its reconstruction.
INFO@O-A-Z-A.COM / anarimchi@gmail.com
Oil on
by Oaza
Functional set highlights the value of the quality of olive oil as an independent food and investigating influence of its serving in relation to its use. Container for olive oil consists of an applicator in the form of a ball for controlled dispensing and smearing oil on the bread on the principle of a roll on.
info@o-a-z-a.com
Mirisulini
by Đurđa Prettyface and Vedran Klemens
Mirisulini are homemade biscuits filled with fragrant cream of linden, immortelle, lavender and rose. Refind like this, they reflect specific distinctive flavors of Croatian natural landscape.
mirena.skaric@zg.t-com.hr / klemenswarehouse@yahoo.com
Kulen’s babies
by Nina Bačun and Roberta Bratović
Kulen’s babies are an experimental extension of already exisiting specific products of Croatian cuisine – Kulen and Kulenova seka (Kulen’s sister). Bite-size format of the identical ingredients to kulen has been created in cooperation with manufacturer Mato Bošnjaković from Osijek. Kulen’s babies can be carried in a purse and consumed as saulty snacks, but are also suitable for salads or catering arrangements.
roberta.bratovic@gmail.com, www.robertabratovic.com / nina.bacun@gmail.com
Homage to Supa
by Sonda
Istrian Supa is originally made of one liter of red wine, sugar, olive oil, pepper and toasted bread and served in a jug that circulates from mouth to mouth. Given that it is virtually disappearing from the usage, this project seeks to popularize it by reinterpreting and recontextualizing it without abandoning its core values, such as originality of ingredients, ways of serving and sharing.
Authors – representatives of the creative team: Studio Sonda – Jelena Šimunović and Sean Poropat
Associates – members of the creative team: Ivona Orlić, ethnologist, Drago Orlić, writer; Nevio Sirotić, chef and Toklarija restaurant owner
Ceramics: Massimo Jenkel; Video: Matija Debeljuh
sonda@sonda.hr
Fogun
by Branimir Paškvan
Fogun is a mobile fireplace for preparation of hot meals on the road, regardless of destination or turistic offer. Fogun can use any flammable object as its fuel. The choice of foods that can be used to prepare a meal is equally broad. As a product, Fogun is tied to the tradition of social rituals of preparing meals by Adriatic fishermen, and is made using the technology of Kvarner craftsmen and industrial tradition characteristic of Rijeka.
Fogun assumes that its users are culturally conscious tourists who move freely in search for new experiences, and create authenticity on their own.
kostrena@gmail.com
Dematerialized memento Mlinci
by Vlatka Leskovar
Mlinci, a thin dried flatbread, is a side dish accompanying roasted poultry in Croatian cuisine. A dough is made of flour, salt, and water, rolled out thin and baked on a hot plate.
If, besides eating, a tourist is involved in the making of a native dish, creating a memory will be intensified by the quality of the experience. This set is designed to reenact and pass the new skill of making mlinci.
leskovar.vlatka@gmail.com
Croatia à la carte
by Superstudio 29
Croatia à la carte is an educational and fun playing card game based on typical Croatian food and authentic recipes (goal: to collect all the necessary ingredients for a specific recipe). In addition to playing cards, the game includes a booklet with detailed recipes, visual representation and informative content related to a particular dish.
info@superstudio29.hr
Bu
by Filip Havranek and Kristina Lugonja
Marenda is an iconic regional meal that vividly conveys the mentality of people. One segment of this little gastronomic experience is illustrated through redesign of bukara – authentic Dalmatian wooden glass that suggests a specific way of enjoying wine.
fhavro@gmail.com / kristina.lugonja@gmail.com
A pinch of salt
by Manufakturist
The Adriatic is rich with sun and seawater. Joining these elements in a stone and glass container makes it possible to create one’s own stock of salt while on holidays. The container is simply immersed and left in the sun. A few moments later a layer of salt is formed around the glass wall. The process is repeatable thus keeping alive the ritual of producing salt in coastal Croatia.